My interest in digital technology began in 1996, following an MSc in Computing. Initially, I used digital photographic printing to output both photographic and computer-generated work. While the original goal was to create financial stability and free time for painting, the technology soon became an integral part of my creative process.
This led to the adoption of the 4:3 picture format. However, the cost of digital printing and a sense of disconnection from the physical object led me to explore screen printing as a more tactile and accessible medium.
I’ve always been drawn to producing multiples—as a way to mirror other creative industries, reduce unit cost, and make art more accessible and integrated into everyday life.